Prensa

Exposición en la Sala de Exposiciones de la Radio Televisión Andaluza. Octubre 2013.Concha Pedrosa, crítica de arte y comisaria de la exposición: “Al entrar en contacto con su obra, el espectador no sólo podrá obtener un poderoso goce estético, sino también un aprendizaje profundo de la naturaleza; un desarrollo muy personal, y, al mismo tiempo, muy hondamente enraizado en su forma de mirar el mundo”

Exposición en sala privada. Noviembre 2013.

Las figuras, animales y objetos de naturaleza muerta quedan definidos por contornos arbitrarios cortados en efecto contra un fondo blanco plano o coloreado. Dentro de estos motivos el artista ha fabricado una textura compleja de brillantes colores armonizados.  (Morning Herald. Sidney. 14 de Enero 1964).

Aunque el trabajo de Del Pozo deriva más de Dubuffet y Clave que de Tapies y su círculo, posee estilo, color y una atractiva inteligencia visual. (Levenson Street Gallery. Sidney. 14 de Enero 1964)

La calidad de los trabajos de Del Pozo se refleja en las insinuaciones y matices misteriosos de unos motivos sumergidos y a veces contrapuestos a sus fondos. (Morning Herald. Sidney. 14 de Enero 1964)

	The fisrt Melbourne exhibitions for two artists, Melbourne painter Leon Barrile and Spanish-born Sydney painter Jaime del Pozo, will be previewed at the Levenson Street Gallery, corner Levenson and Victoria Sts., North Melbourne, tomorrow.Mr. Barrile and his wife and his parents, Mr and Mrs. M Barrile, will be among the 200 guests to be welcomed by the gallery´s directors, Miss Phyl Waterhouse, Miss June Davies and Mr. Charles Bush.
	The only distubing element is the virtual disappearance of personality before a most elegant anonymity. The cult of personality is at least not here¡.Although the young Spaniard, Jaime del Pozo at Levensons has not the range of Hans Erni, his work, deriving more from Dubuffet and Clave than from Tapies and his circel, posesses style, color, and an appealing visutal wit. His delithful Merino, for instance.For a painter of such quality and assurance the prices are remarkable.
	A polished porcelain-like enamel surface dictates something of the decorative manner of the paintings of Jaime del Pozo at he Barry Stern Galleries.Quite arbitrary contours, cut out in effect, define the motifs of the figures, animals or still-life objects against flat white or coloured back-grounds. Within the motifs themselves the artist fabricates a complex gloss of coloured marbelling of texture.At times, particularly when using a white background, Pozo imposes something of the background above and within his motifs giving some value of changing planes, but othersie the quality of these works rests with the adjustment of association of the shapes of the precisely contoured forms, the precesely contoured forms, the embellishment of glowing colours and variable textures and the manner in which at times the artist hints a more mysterious overtones when the motifs become submerged with, or starkly opposed to, their sorrounds.”Still life with candle”, “Still life with scull” and “Red still life” are among the bests of these moderately successful variations on a theme.This exhibition will open at noon today.